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Drawing the Figure 1 Capturing the Gesture with Jack Bosson

English | 105 Mins | 1280x720 | H264 | 23.98fps 2033kbps | AAC 44.1khz

This lecture is the first of a series on how to approach drawing the human figure. In this series, Jack states that a successful figure drawing must include evidence of three sets of information: gestural, structural, and anatomical; the first being the focus of this particular demonstration. Gesture drawing establishes the unique storytelling and emotional properties of a given pose. It can also be used to map out the essential idea conveyed in the pose. Jack explores rapid-sketch technique, weight distribution, and the rhythm of the body parts as they adjust to the effects of gravity. Key concepts such as "contrapposto", twist, overlapping shapes, and foreshortening are also covered. In short, this lecture will show you how to create a dynamic, lively interpretation of the subject being observed.

Topics:

Expressing the Action

Mapping Out the Pose

Body Language

Drawing What the Model is Doing

Gesture and Expression

Quick Sketch Techniques

Seeing the Attitude Expressed in the Pose

Rhythm

Flow of Movement

Continuity and Storytelling

Squash and Stretch

Weight Distribution and Balance

The Torso and Limbs

Expressiveness of Hands and Feet

Chapters:

Introduction

Mapping Out the Figure / Extension and Compression

Steps to Seeing the Gesture, Weight and Contrapposto

Capturing the Essence of the Pose

The Clothed Figure

The Importance of Keeping a Sketchbook

Foreshortening / Acting and Storytelling / Habits of Mind and Heart

Foreshortening and Silhouette / Profiting from a Bad Drawing

Structural Facts Before Aesthetic Details

Gesture, Flow and Structure

Weight, Balance and Gravity

Seeing Rhythms in the Curves of the Body

Final Comments / Developing Your Practice