本视频教程是由FXPHD机构出品的数码影像色彩技术高阶训练视频教程，时长：8小时，大小：4.2 GB，MP4高清视频格式，附源文件，作者：Charles Poynton，共10个章节，语言：英语。

本教程中，Charles Poynton将为我们讲授摄像师，调色师，以及相关的手工艺工作者需要掌握的色彩和数字电影采集知识。

Poyton将为我们讲解对数编码，相机感光度和ISO/ EI评级。他将为我们讲述区域系统，并讨论该系统什么方面与数字采集连接时最有价值。另外，课程也会讲解影响影像的色调标度和色彩修改，相机控制的角色和实现这些修改的1D和3D查找表格。

适合学习本教程人群：

摄影师，助理摄影师和调色师

HD工程师和数码影像技术员（DITS）

后期制作和视觉效果监事和后期视效工程师

数字影院，数字视频，和CGI/ VFX软件开发者

FXPHD机构是老牌在线教学网站，网站的创建者就是Fxguide的团队，FXPHD制作了大量视觉特效、后期制作、摄影摄像的精品教程。每年支付4000元左右，就可以享受其中5门课程的教学，还可以提供VPN链接内网，每套课程都是10周左右的时间，每节课30分钟左右，包含训练文件和素材。FXPHD主打专业教学，所有的教程作者都是该领域的权威，必须拥有大量的项目经验。

FXPHD DCT301 Camera Tech and Colour Science

Camera operators and assistants, colourists, visual effects supervisors and artists, and others are making the transition to digital acquisition. Digital imaging technicians (DITs), digital intermediate engineers, and technicians are also centrally involved. Leading the course is the incredibly knowledgeable Charles Poynton, who will discuss color and digital cinema acquisition in a manner that’s accessible to cinematographers, colourists, and related craftspeople.

How many stops of exposure latitude does a digital camera offer? What exposure index should be used? What is the“film look” and where should it be imposed? Why does noise arise, and what can be done to minimize it? Should I record and process “log” or “linear”? Is there one kind of “log” and one kind of “linear,” or are those terms ambiguous? Is it valuable to have an on-set display? Where do the LUTs go, and who should determine their content? Under what conditions is on-set colour grading useful?

Poyton will discuss logarithmic coding, camera sensitivity and ISO/EI ratings. He will describe the zone system, and discuss what aspects of that system are valuable in connection with digital acquisition. In addition, the course will cover the tone scale and colour modifications that impart the “film look,” and the roles of camera controls (gamma, knee, slope) and 1D and 3D lookup tables in achieving these modifications.

This course will be suitable for people involved with:

Cinematographers, assistant cinematographers, and colourists

HD engineers and Digital Imaging Technicians (DITs)

Post-production and visual effects supervisors, and post/VFX engineers

Digital cinema, digital video, and CGI/VFX software developers

The course will be technical and it will show many graphs and several equations!